Analisis Semiotika Pierce pada Pertunjukan Tari Dhânggâ Madura

Ulfa Sufiya Rahmah, Sujinah Sujinah, Ali Nuke Affandy

Abstract


Dhengge dance embodies the description of fishermen's activities that have a sense of beauty that is caused by movement and music produced by the mouth. Human life cannot be separated from signs, and signs always have a load of meaning. The symbols contained in this dance were analyzed qualitatively by Pierce's semiotics. The costumes of the dancers are interpreted by the fishermen as having a firm attitude and a fighting spirit in facing life, steadfast and tough. Freedom, openness, simplicity, courage, manliness, and persistence are among the cultural ethos of the Madurese people. The dance movement depicts a trip to go to sea, search for fish to return to the beach, which means that life can be likened to running a boat into the middle of the ocean which at times is hit by big waves and strong winds, the boat to lose control, lose direction and even sink. For that we need planning, hard work, togetherness, a sense of brotherhood and require patience, confidence, persistence, and surrender


Keywords


dhânggâ’ dance; costumes; movements; semiotics; symbols

Full Text:

PDF

References


Adie. (n.d.). Odheng, ikat kepala khas Madura. https://adiethonet.wordpress.com/odheng-ikat-kepala-khas-madura/

Aleksandrovich, M. (2016). Psychology of Dance : Barthes ’ Ideas and Semiotics of Dance. EUROPEAN HUMANITIES STUDIES: State and Society Maria, 4–19.

Alkaf, M. (2012). Tari sebagai gejala kebudayaan: studi tentang eksistensi tari rakyat di boyolali. Komunitas, 4(2), 125–138.

Bangsawan, A., & Juwariyah, A. (2020). The Representation of Javanese Culture in the “Knight Kris” Animated Movie: Charles Sanders Pierce’s Semiotic Analysis. 380(SoSHEC), 258–261. https://doi.org/10.2991/soshec-19.2019.57

Basit, A. (2017). Health communication in the Quran: Charles Saunders Pierce’s semiotic analysis. Jurnal Komunikasi: Malaysian Journal of Communication, 33(4), 76–88. https://doi.org/10.17576/JKMJC-2017-3304-05

Bungin, B. (2011). Penelitian Kualitatif. Prenada Media Group.

Danandjaja, J. (1991). Folklor Indonesia: Ilmu Gosip, Dongeng, dll. Garviti Press.

Dondhup, S. (2017). Looking Back at Tibetan Performing Arts Research by Tibetans in the People’s Republic of China: Advocating for an Anthropological Approach. Revue d’Etudes Tibétaines, 40, 103–125.

Eco, U. (2015). Teori Semiotika : Signifikansi, Komunikasi, Teori Kode, Serta Teori Produksi Tanda. Kreasi Wacana.

Fitriani, F. (2017). Nelayan sebagai ide penciptaan tari. Imaji, 15(2), 179–188.

Foucault, M. (1972). The Archeology of Knowledge. Routledge.

Khutniah, N. (2013). Upaya mempertahankan eksistensi tari kridha jati di sanggar hayu budaya kelurahan pengkol kecamatan jepara kabupaten jepara.

Medilianasari, R., & Retnowati, T. H. (2020). Role of Rampak Yakso Dance in Cutting Dreadlocks Ritual Ceremony in Dieng Banjarnegara Central Java. 444(Icaae 2019), 246–249.

Mengenal Pandangan Hidup Orang Madura. (2012). Lontar Madura. https://www.lontarmadura.com/mengenal-pandangan-hidup-orang-madura/3/

NicholasC, A., & Prisca I, O. (2020). SIGNIFYING SYMBOLS IN TRADITIONAL DANCE:A STUDY OF NKWANWITE DANCE Akas, Nicholas C. PhD 1 and Okeke Prisca I. 2 1, 2. AJELLS, 7(1), 1–20.

Pangestu, H., & Kuswarsantyo. (2020). Functions of Lang Nginang Ritual Dance in Mengayau Traditional Rite in Belitang. ICAAE 2019, 444(Icaae 2019), 49–53.

Pasaribu, P. (2015). ANTHROPOS : Jurnal Antropologi Sosial dan Budaya Eksistensi Seni Pertunjukan Tradisional Kuda Lumping di Desa Bangun Rejo Kecamatan Tanjung Morawa. 1(1).

Pierce, C. S. (1966). Colecteed Papers of C.S. Pierce (Cambridge (Ed.); 7th ed.).

Pierce, C. S. (1991). Peirce on Signs: Writings on Semiotic by Charles Sanders Peirce (J. Hoopes (Ed.)). Unversity of Carolina Press.

Retnoningsih, A. D. (2017). EKSISTENSI KONSEP SENI TARI TRADISIONAL TERHADAP PEBENTUKAN KARAKTER SISWA SEKOLAH DASAR. 7(1), 20–29.

Silva, W. T. N. De. (2020). Meaning Making in Kathak Dance : A Semiotic Analysis of Two Kathak Dance Performances . Jounal OfInformation and Computational Science, 10(3), 389–393.

Sujinah, Wardhono, A., & Yunianti, S. (2020). Localism and Cultural Preservation Policy in Indonesia: Ideas and Challenges. 436, 25–31. https://doi.org/10.2991/assehr.k.200529.006

Suluh, D., Dewi, K., Hilman, Y. A., Muhammadiyah, U., & Muhammadiyah, U. (2018). Pelestarian W ayang “ Krucil ” dan Kekuatan P olitik. 11.

Syahid, & Farhan. (2017). Mengenal Tari Dhangga’, Budaya Madura dari Pamekasan.

Umbar, K. (2018). Kajian semiotika c.s. pierce dalam kesen. IKADBUDIV, September.

Umberto, E. (2015). Teori Semiotika Signifikansi Komunikasi, Teori Kode, serta Teori Produksi Tanda. Kreasi Wacana.

Winfried, N. (2006). Semiotika. Airlangga University Press.




DOI: http://dx.doi.org/10.12962/j24433527.v13i2.7891

Refbacks

  • There are currently no refbacks.


Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

p-ISSN (1979-5521)  e-ISSN (2443-3527)